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but rather holes left that push the edges of the present into new realms of consciousness
Time Machines started to take full form when McDowall enthusiastically delivered these demo recordings to John Balance and Peter "Sleazy" Christopherson as sketches for a new Coil project with the primary goal of shifting Coil’s sound further into a more conceptually abstract direction
playing countless performances and showcases around New York’s electronic music haunts
Time To Kill International 7 Day broadcasterOn their third album Time to Kill, Body of Light refines their brand of cold and driving synth pop with a bold pallet of sounds and a focus on uncharted technique and purpose. Like the pale digital stare of the modern devices surrounding our daily lives, the album weaves stories of love and obsession in an era of technical bondage and fleeting exhilaration. Written over a period of intense and profound change, Time to Kill stands as a startling